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Are you interested in the unusual and complex jobs in digital cultural heritage? So are we, so each month we are going to take a deep-dive into the work of professionals in the sector. This month we speak with newly elected Members Councillor Henk Alkemade on the importance of immersive cultural heritage and the challenge of showing its value outside of the financial.
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V4Design booth at Digital Assembly in Sofia in June 2018
As the technological capabilities to digitise cultural objects in 3D increases, so too does the value of these data sources for architects, designers, and video game creators. The real challenge lies in making 3D cultural heritage easily accessible and reusable for those audiences. That is precisely the challenge that the V4Design project is taking on.
Giulia Marsili from the University of Bologna, and BYZART consortium, introduces a new Generic Services project to digitize and promote Byzantine art and archaeology
Ghent World Fair 1913. This digital collection contains Ghent University Library’s source material with regard to the World Fair of 1913: pictures, posters, maps, medallions, post cards, brochures and many more ephemera.
The holdings of the Archives combine the graphics collection and three important historical collections: the Portraits Collection, the Picture Archives, and the former private library of the Habsburg family.
This collection comprises 55 portfolios of around 3,900 prints. Items include topographical recordings, images of cities, villages, buildings, architecture, landscapes and pictures of natural events from the areas of the former Austrian crown-lands, but also from modern day Germany, Italy, France, England, Spain, Switzerland and The Netherlands.
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